Monday, March 25, 2019

Hamlet Essays -- Literature

Comedy and disaster are two entirely opposing genres but both have been really successful during the Elizabethan period. Several plays were written to help people to be instructed in a general way and to purge their emotions through the laughing in harlequinade or the crying in the tragedy. Among the writers of tragic plays, there was Shakespeare with unity of his near famous play The Tragical History of Hamlet, Prince of Denmark. Regarding comedy, John Lyly takes the myth of Endymion in his courtly comedy Endymion, the Man in the Moon. Starting from these two plays this endeavor will look at the boundaries that allow defining and distinguishing mingled with tragedy and comedy as well as their importance at the time. calamity and comedy stand out mainly by the fact that one of these genres makes people cry and the other makes them laugh. The boundary between the two is not always easy to distinguish, since a play can be considered as a comedy without being funny, simply becau se it has a happy ending. The snub here is to contrast these two genres to better draw the border between them.The comedy featured ordinary characters and thus allowed people to laugh at their pains and ironic situations. Unlike comedy, tragedy had as protagonists, people of high school social level. The characters of the tragedy are usually caught in a mickle that they cannot escape. It is rare that the tragedy gives a solution or it is in close to cases death. To summarise, comedy was designed to make people laugh and show that a happy ending is possible, it often ends with marriages, while the tragedy shows that even very important persons can find themselves in situations that are beyond them and that conduce them to their downfall.By writing The Tragical History of Hamlet, Prince of Den... ... of Revenge. 315oA hypothesis of Renaissance Tragedy. pp. 292Bolt, Sydney. (1985). Hamlet. Peguin Masterstudies.Deats, Sara. (Nov., 1975). The Disarming of the Knight Comic Parody i n Lylys Endymion to the south Atlantic Bulletin, Vol. 40, No. 4. pp. 67-75 Houppert, Joseph W. (1975). John Lyly. Twayne Publishers, Boston.oChapter 2. Non-Dramatic Fiction. I Euphues, the Anatomy of Wit. pp. 22-52oChapter 7. Lylys Reputation and Influence. I Lyly the Stylist. pp. 147-150Jump, J. Davies. (1968). Shakespeare Hamlet a casebook. London Macmillan. L. C. Knight. oL.C. Knight. (1960) Hamlet and Death. pp. 151-155 oMack, Maynard. (1952). The World of Hamlet. pp. 86-107Lyly, J., Bevington, D. M. (1996). Endymion. Manchester Manchester University Press. Neufeld, M. Christine. Lylys Chimerical Vision witchery in Endymion.

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